HomeHip HopCalvin Harris ‘Funk Wav Bounces Volume 2’ Album

Calvin Harris ‘Funk Wav Bounces Volume 2’ Album

Calvin Harris ‘Funk Wav Bounces Volume 2’ Album

#FunkWavBounces2 🏝🏝

Calvin Harris has by no means shied from making sharp turns. Simply as creative restlessness helped remodel him from an indie-disco tyro to a dance-pop titan in time for his third and fourth albums, 18 Months (2012) and Movement (2014), it additionally urged him to slide away from the primary room for vibrant however unhurried explorations of funk and disco on 2017’s Funk Wav Bounces, Vol. 1. There aren’t any such inventive pivots on Vol. 2. That’s not just because the luxurious, summery atmospheres of Vol. 1 supply a stunning place to relaxation awhile, however as a result of Harris knew there was nonetheless work to be executed.

His tempos slowed on Vol. 1, however he’d approached lots of that album as a dance producer—making digital beats. “With this one, I used to be like, ‘I wanna have dwell drums and I wanna have guitar,’” he tells Apple Music’s Zane Lowe. “I need the layers and the grit and the dust. And I don’t need all the things to be combined completely. I need issues to be like Sly & The Household Stone when it’s simply combined on the fly and it’s like, ‘Oh, he’s gonna do a solo now!’ And also you’ve obtained to show him up and he’s too loud. I simply need to really feel it in my chest—in a great way.”

On Vol. 2, the bass bobs, squelches, and throbs, all the time within the pursuit of a deep, languid groove. Keys glimmer like daylight on the waters of a tax-haven harbor, whereas guitars chuck and chop to disco rhythms. Tapping via his contacts, Harris brings artists collectively in intriguing mixtures. Jorja Smith and Lil Durk open up two distinct lanes of heartbreak on “Anyone Else,” the Brit singer-songwriter delivering self-respecting frustration, the Chicago rapper bristling with disbelieving indignation. Pharrell, Halsey, and Justin Timberlake, in the meantime, stir longing, abandon, and anticipation collectively for an evening of journey on “Keep With Me.”

Harris doesn’t name on these names simply to gild his music; he’s involved in artists who can carry new, surprising textures to the songs. Take Younger Thug’s capricious movement, circling round Dua Lipa on “Potion”: “Like, how does he consider these items and these flows and the best way that he weaves across the beat in a means that I might by no means, ever even think about?” says Harris. “Being within the studio with him when he’s recording and listening to the method and the place he finally ends up is rather like the mind is someplace else. His thoughts is that of a genius. It’s superb to witness it.”

The temper is essentially balmy and upbeat. 21 Savage audits the trimmings of his success on “New Cash,” whereas Stefflon Don, Chlöe, and Coi Leray rejoice resilience and independence with “Girl of the Yr.” Busta Rhymes tries to rush alongside the graceful funk of “Prepared or Not” with rat-a-tat playfulness, and even a lovelorn Charlie Puth—abruptly sounding loads like Michael McDonald—is lifted by buoyant yacht rock and Shenseea’s island spice on “Obsessed.”

All of it displays the enjoyment Harris finds in collaborating. “It will get me enthusiastic about making music,” he says. “I can work with artists they usually can categorical themselves in a means that they will’t do on their very own music—whether or not it’s [because of] report label politics or what their followers count on of them. It’s like, ‘No strain. I’ll provide you with a platform to go and have amusing. I can promise you it’ll sound good. May not be successful, however you’ll have a great time. And also you may simply find yourself on a tune with somebody that you’d by no means dream of.’ If I can convey that, then often persons are up for it.”

Lately, an additional layer of enjoyable in listening to a Calvin Harris album comes from making an attempt to identify the exit ramp—the clues about the place his subsequent sudden flip may take him. Right here, that is perhaps present in “Lean on Me,” the place Swae Lee wistfully mourns the tip of summer season in opposition to a gauze of dream-pop guitars that’s pierced by a soft-rock solo. At the same time as he’s inviting you to bask within the heat and celebration a bit longer, Harris is already interested by the place to move when the occasion’s over.



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